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But, despite the personal jabs, she actually has an optimistic perspective of the criticism about the film. She’s glad people are even talking about the film because Nina Simone’s story is one that the world should know about.

The post Zoe Saldana Fires Back On Dark Skin Role, “Nobody Knew Who The [F**k] She Was” appeared first on I Love Old School Music.

BET founder, Bob Johnson, is probably gonna get some Black people real heated after they read what he said about those who have some type of criticism about actress, Zoe Saldana, playing Nina Simone in the upcoming biopic about Simone’s life. Then there will be others who might actually agree with him.

Bob Johnson’s company, RJL Entertainment is distributing this new Nina Simone biopic, starring Zoe Saldana.

Johnson is weighing in on the backlash, outrage, and/or genuine confusion as to why the filmmakers cast a light skin Black-Latina woman and made her over with darker body paint and a prosthetic nose, instead of simply casting one of the many currently out-of-work Black actresses who are far more closer in physical traits to Ms. Simone with acting chops that are just as good as Zoe’s.

Tell us which side of the fence you’re on about what Johnson has just said about this. Here are the details via TheHollywoodReporter:

Critics of Nina, a biopic from U.K.-based Ealing Studios Entertainment, have protested the casting of Saldana, a light-skinned actress of Afro-Latina descent, to portray the legendary high priestess of soul, claiming that Simone’s physical appearance as a dark-skinned black woman had a major impact on her life and career.

“It’s unfortunate that African-Americans are talking about this in a way that hearkens back to how we were treated when we were slaves,” says RLJ Entertainment founder and chair Robert L. Johnson, who also founded BET. “The slave masters separated light-skinned blacks from dark-skinned blacks, and some of that social DNA still exists today among many black people.”

Johnson went on to say this:

Johnson cites arguments against Saldana’s skin tone as akin to in-group discriminatory practices like the brown paper bag test, wherein certain black community gatherings would only admit individuals whose skin was lighter than the bag. “That’s where some of this comes from, when you hear people saying that a light-skinned woman can’t play a dark-skinned woman when they’re both clearly of African descent,” he says. “To say that if I’m gonna cast a movie, I’ve gotta hold a brown paper bag up to the actresses and say, ‘Oh sorry, you can’t play her.’ Who’s to decide when you’re black enough?”

Johnson clearly is passionate about the subject and had plenty more to say regarding the backlash. “As an African-American, I will gladly engage anyone on this question of should we be talking about how light or how dark you should be to play a role,” he says. “Many people who are talking about it don’t even realize what they’re getting into. Imagine if I were to do a biopic about Lena Horne, who’s obviously light-skinned, or Dorothy Dandridge. Would it be fair if I put up a sign that said ‘No black women apply’? That would be ridiculous. Black Americans should know better than to have this discussion over a creative project. We’re not talking about white against black. We’re talking about black against black.”

Is Bob making some good points, or is he missing the whole reason as to why many in the African American community are outraged over the casting of Nina Simone a.k.a. ‘The high priestess of soul?’

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“I Am Not My Hair” singer/hit maker/realist, India Arie, has once again joined the the many people- celebrities and civilians alike- who think that casting Hispanic actress, Zoe Saldana, as Nina Simone made absolutely not one ounce of sense and a few days ago, India voices her frustration and confusion about why the producers of Nina Simone’s upcoming autobiographical film decided to go to such extreme lengthhs of having to darken Saldana’s skin and put a prosthetic nose on her, just to make her more believable as Nina.

When asked what she thought about the physical portrayal of the great Nina Simone in the film here is what India said:

“It made me sad. The way she looked in the movie was ugly. Whether or not Nina Simone was beautiful in your eyes, I thought she was beautiful. But in this movie, she just looked weird. Her skin looked weird, and her nose looked weird. It made me wonder, ‘Was that how the filmmakers see her? Did they not think she was beautiful? Were they like, ‘Yeah, we got it! That’s how she looked.”

“It’s not my place to say how Zoe Saldana perceives herself, and I can’t say how anybody else perceives her, either. I see her as a black person of Hispanic origin, but I don’t even know what that really means, because I don’t know anything about race and Hispanic culture.

India also voiced her confusion over why the producers would cast someone who looks completely different from the beautiful African features that Nina Simone was so proud of and fought hard to celebrate and embrace through her art:

“Nina Simone sacrificed so much to be as bold as she was about being black and about being female in an era where that could have cost her life. She was denied access to a conservatory not because she didn’t play great, but because she was black. She would have had a different career if she looked like Lena Horne or Dorothy Dandridge. She could have been the first black female concert pianist, world-famous. When you look a certain way you get certain privileges; when you look another way you’re denied access to certain things, especially in her era.

So in the context of the politics of race in America and the politics of race in the entertainment industry in America, to make a movie about a person like that and cast an actress that has to wear blackface and a prosthetic nose is tone-deaf. To propagate that institutionalized racism that is historical in Hollywood in a movie about her is ironic in the worst possible way.”

India Arie reveals which actresses she thinks would have been better for the role of Nina Simone:

“If I was going to pick someone I know, I would choose Adepero Oduye [a Sundance breakout for 2011’s Pariah, most recently of The Big Short] because of her acting chops and her facial features.

But also, wouldn’t it be cool if somebody just came out of nowhere, like a stage actress or how Lupita Nyong’o just came out of nowhere? Somebody who’s amazing and ethnic and really beautiful and had chops, and then she did this movie and had a chance to elevate her craft the way that Nina Simone did? That to me would capture her essence. To see someone else have that opportunity because she paved that road, that to me would be inspirational.”

India Arie made some excellent points and I’d be lying if I said that I wasn’t confused when I first found out Zoe Saldana was cast as Nina Simone. This is no diss to Zoe, because it’s not that she doesn’t have the skills to play her, it’s just confusing as to why the filmmakers would go to such great lengths to make Zoe work for the role, when they could have easily just cast someone else who is just as good as her and saved themselves half the work. One of the reasons may be because they knew that we’d all be doing exactly what we’re doing now- discussing it on public, online platforms and adding even more hype around the anticipation of the film. Smart move…I suppose, but they better hope that their financial profit matches that hype once it’s all said and done.

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